Drift Wood Composition, oil on mylar, 2020, 10”x13”
Terra Nova Drift, oil on paper, 2022, 10”x14”
Wind Force, oil on mylar, 9”x 14”, 2010
The Stinger,
oil on mylar, 2022, 12”x 5”
The Drive, Oil on paper, 2022, 11”x 5”
Bridge over Tempered Water,
Oil on mylar, 2022, 8”x 15”
Reeds look like People,
Oil stick on paper, 2016
Crocus Path, oil on mylar, 2023
Purity Pond, oil on paper, 13”x 20”, 2019
Garden of Rumble, oil on canvas, 15”x 21”, 2025
Bell Bottom Pier,
Oil on paper, 2021, 9”x 12”
Path Runs Through, oil on canvas, 10”x 19”, 2016
Deer Lake Park,
oil and oil stick on paper, 2015, 10”x13”
Iona, oil on Mylar, 8”x12”, 2025
Lily without Georgie, oil on paper, 2023
The Cove,
Oil on paper, 2020
Valley Hike, oil and oilstick on mylar, 7”x 10” 2014
The Pathway – Oil on paper, 2021, 8”x10”
Blue Ridge, oil on paper, 11”x 20”, 2016
Captains Cove, oil on paper, 9”x 14”, 2023
Abstracted Garden in Paulik Park, oil on mylar, 2022, 8”x 10”
Snake Tree, oil on Mylar, 2022, 5”x 10”
Sleeping Giant,
acrylic on mylar, 2021
I am a resident of the greater Vancouver area and since arriving here, I am continually in awe of the freshness and lushness of this beautiful locale. It is swollen with rich texture and colour within its mountainous terrain, varied plant life and open seas.
I have decided to explore the landscape genre for the first time in an abstract manner as a way of becoming more closely acquainted with my new environment. In this series I work from an intuitive understanding of my surroundings allowing for an abstract interpretation to result naturally and personally.
My methods combined are working outdoors intuitively as I experience the landscape through all the senses. I am interested in achieving flowing movement and a naturalistic surface texture to generate an intense tactile experience of the forms that create the landscape in nature and my colour choices are more arbitrary in keeping with the intuitive abstract process.