Abstracted Garden in Paulik Park, oil on mylar, 2022, 8”x 10”
Drift Wood Composition, oil on mylar, 2020, 10”x13”
Spring Reflected, oil on paper, 9”x12, 2025
Deer Lake Park,
oil and oil stick on paper, 2015, 10”x13”
Dune Pleasures, Oil on paper, 2022, 11”x 8””
Garden of Rumble, oil on canvas, 15”x 21”, 2025
Captains Cove, oil on paper, 9”x 14”, 2023
Bell Bottom Pier,
Oil on paper, 2021, 9”x 12”
Valley Hike, oil and oilstick on mylar, 7”x 10” 2014
Snake Tree, oil on Mylar, 2022, 5”x 10”
What Remains, oil on paper, 10”x 15”, 2012
The Cove,
Oil on paper, 2020
Steveston,
acrylic and oil on paper, 2019
Tidal Movement, oil on paper, 8”x10”
Three Knarley Trees, oil on paper, 11x 14”, 2010
Iona, oil on Mylar, 8”x12”, 2025
Terra Nova Drift, oil on paper, 2022, 10”x14”
River Passage, oil on mylar, 11”x 14”, 2022
Sleeping Giant,
acrylic on mylar, 2021
Crocus Path, oil on mylar, 2023
Reeds look like People,
Oil stick on paper, 2016
Bridge over Tempered Water,
Oil on mylar, 2022, 8”x 15”
The Stinger,
oil on mylar, 2022, 12”x 5”
The Drive, Oil on paper, 2022, 11”x 5”
Atmospheric River, oil on Mylar, 8”x 10”, 2022,
Wind Force, oil on mylar, 9”x 14”, 2010
The Pathway – Oil on paper, 2021, 8”x10”
I am a resident of the greater Vancouver area and since arriving here, I am continually in awe of the freshness and lushness of this beautiful locale. It is swollen with rich texture and colour within its mountainous terrain, varied plant life and open seas.
I have decided to explore the landscape genre for the first time in an abstract manner as a way of becoming more closely acquainted with my new environment. In this series I work from an intuitive understanding of my surroundings allowing for an abstract interpretation to result naturally and personally.
My methods combined are working outdoors intuitively as I experience the landscape through all the senses. I am interested in achieving flowing movement and a naturalistic surface texture to generate an intense tactile experience of the forms that create the landscape in nature and my colour choices are more arbitrary in keeping with the intuitive abstract process.