Drift Wood Composition, oil on mylar, 2020, 10”x13”
Sleeping Giant,
acrylic on mylar, 2021
Terra Nova Drift, oil on paper, 2022, 10”x14”
River Passage, oil on mylar, 11”x 14”, 2022
Bell Bottom Pier,
Oil on paper, 2021, 9”x 12”
Steveston,
acrylic and oil on paper, 2019
Dune Pleasures, Oil on paper, 2022, 11”x 8””
Valley Hike, oil and oilstick on mylar, 7”x 10” 2014
What Remains, oil on paper, 10”x 15”, 2012
Bridge over Tempered Water,
Oil on mylar, 2022, 8”x 15”
Path Runs Through, oil on canvas, 10”x 19”, 2016
Crocus Path, oil on mylar, 2023
Deer Lake Park,
oil and oil stick on paper, 2015, 10”x13”
Snake Tree, oil on Mylar, 2022, 5”x 10”
Atmospheric River, oil on Mylar, 8”x 10”, 2022,
Blue Ridge, oil on paper, 11”x 20”, 2016
The Pathway – Oil on paper, 2021, 8”x10”
Abstracted Garden in Paulik Park, oil on mylar, 2022, 8”x 10”
Iona, oil on Mylar, 8”x12”, 2025
Captains Cove, oil on paper, 9”x 14”, 2023
Wind Force, oil on mylar, 9”x 14”, 2010
Spring Reflected, oil on paper, 9”x12, 2025
The Cove,
Oil on paper, 2020
Garden of Rumble, oil on canvas, 15”x 21”, 2025
I am a resident of the greater Vancouver area and since arriving here, I am continually in awe of the freshness and lushness of this beautiful locale. It is swollen with rich texture and colour within its mountainous terrain, varied plant life and open seas.
I have decided to explore the landscape genre for the first time in an abstract manner as a way of becoming more closely acquainted with my new environment. In this series I work from an intuitive understanding of my surroundings allowing for an abstract interpretation to result naturally and personally.
My methods combined are working outdoors intuitively as I experience the landscape through all the senses. I am interested in achieving flowing movement and a naturalistic surface texture to generate an intense tactile experience of the forms that create the landscape in nature and my colour choices are more arbitrary in keeping with the intuitive abstract process.