Fenti-nod #27 and #28, watercolour on paper, 2026, 5”x 13”
Fenti-nod #18, acrylic on mylar , 56”x 27”, 2025
Fenti-nod #25, ink and charcoal paper n paper, 2025, 5”x 13”
Fenti-nod #11 & 12, oilstick on mylar, 25”x 50”
Fenti-nod #21, ink and charcoal paper n paper, 2025, 5”x 13”
Fenti-nod #7 and #8
acrylic and oil on paper, 48”x 39”, 2024
Shoot, charcoal and acrylic on canvas, 40”x 26”, 2025
East Hastings Trio, acrylic and oils stick on canvas, 40”x 36”, 2025
Fenti-nod #20, acrylic on paper, 55”x 60”
ink and graphite on paper, 15”x 11”, 2026
Two Addicts on a Bench, charcoal and acrylic on mylar, 24”x 30”, 2023
Fenti-nod #2, charcoal, acrylic and flashe on mylar, 40”x 36”, 2023
Fenti-nod #15, oil and oil stick on mylar, 2024, 42”x 25”
Fenti-nod #16, oil and oilstick on gessod paper, 2024, 55”x 41”
Fent-nod #9 and #10
acrylic on mylar, 28”x 42”
Fenti-nod #4, charcoal and acrylic on mylar, 28”x 24”
Fenti-nod #5, charcoal and acrylic on mylar, 28”x 31”, 2024
ink and graphite on paper, 11”x 15”, 2026
Fenti-nod #26, pencil, watercolour and oilstick on paper, 2025, 10”x 7”
Fenti-nod #22, ink and charcoal paper n paper, 2025, 5”x 13”
Back Alley Addicts, acrylic and oil stick on canvas, 40”x 35”, 2025
Statement by Shelley Rothenburger
I was sitting in a coffee shop looking outside at the area where one buys transit passes for the Sea Bus in North Vancouver, when I notice a woman stooped over enough to touch her toes. She was wearing a hoodie, no pants and Nike shoes. I could see her underpants as she crouched in this position not moving. I immediately realized that she was an addict in what’s called a “Fenti Nod”. She was very vulnerable deep in a powerful fentanyl high.
In this series, I am working on a representation of addicts I have observed all over the lower mainland of Vancouver (mostly in the east side) in different stages of drug highs. This issue is commonplace in many cities and small towns across North America and beyond and I am compelled to address this visually and blatantly as I see the effects on people regularly outside my studio. It’s a subject and sight that most do not want to acknowledge. I painted these images on mylar, paper and canvas in a raw fashion on an unstable surface and in this context I hope to perhaps to bring more of a sense of humanity to these suffering people.