{"id":14,"date":"2011-01-22T21:44:45","date_gmt":"2011-01-23T05:44:45","guid":{"rendered":"http:\/\/mbradica.com\/shelley\/"},"modified":"2025-10-29T19:59:52","modified_gmt":"2025-10-30T02:59:52","slug":"cv","status":"publish","type":"page","link":"https:\/\/mbradica.com\/shelley\/cv\/","title":{"rendered":"Curriculum vitae"},"content":{"rendered":"<p><strong>Education<\/strong><\/p>\n<ul>\n<li>2000 &#8211; <strong>M.F.A.<\/strong> University of Alberta, Edmonton, AB<\/li>\n<li>1995 &#8211; <strong>H.B.F.A.<\/strong>Lakehead University, Thunder Bay, ON<\/li>\n<\/ul>\n<h5><strong>Selected Solo Exhibitions<br \/>\n<\/strong><\/h5>\n<ul>\n<li>2020 &#8211;\u00a0<strong>Locked and on a Loop,\u00a0<\/strong>Charles Clark Gallery, Vancouver<\/li>\n<li>2016 &#8211; <strong>Rigged, <\/strong>Basic Inquiry, Vancouver<\/li>\n<li>2015 &#8211; <strong>UnBeatable, <\/strong>Basic Inquiry, Vancouver<\/li>\n<li>2013 &#8211; <strong>Scouting the Divine, <\/strong>Artemis Gallery, North Vancouver<\/li>\n<li>2013 &#8211; <strong>The Common Man, <\/strong>Gabor Gasztonyi Gallery, New Westminster<\/li>\n<li>2012 &#8211; <strong>Real Time Physics, <\/strong>Basic Inquiry, Vancouver<\/li>\n<li>2010 &#8211; <strong>Pastoral: A Moment in Nature<\/strong>, The Art of Law Gallery, New Westminster<\/li>\n<li>2008 &#8211; <strong>The Melting Point of Ice<\/strong>, Nina Haggerty Gallery, Edmonton<\/li>\n<li>2007 &#8211; <strong>Eat Mine Raw<\/strong>, Arts Hab Gallery, Edmonton<\/li>\n<li>2006 &#8211; <strong>One Perfect Shot<\/strong>, The Works Art Festival, Edmonton<\/li>\n<li>2005 &#8211; <strong>The Proteans<\/strong>, VAAA Gallery, Edmonton<\/li>\n<li>2005 &#8211; <strong>The Modern Dog<\/strong>, +15 Truck Gallery, Calgary<\/li>\n<li>2004 &#8211; <strong>Am I Getting Enough Sleep, Sex, Food?<\/strong> Harcourt House Gallery, Edmonton<\/li>\n<li>2004 &#8211; <strong>Physique: What Kind of Man Are You?<\/strong> Fringe Gallery, Edmonton<\/li>\n<li>2003 &#8211; <strong>I Accept Myself Series,<\/strong> Latitude 53, Edmonton<\/li>\n<li>2001 &#8211; <strong>Fish Out of Water,<\/strong> Nickel Museum, Calgary,AB<\/li>\n<li>1998 &#8211; <strong>Postmortem Series: A Rendered Analysis,<\/strong> Thunder Bay Art Gallery<\/li>\n<li>1995 &#8211; <strong>An Exhibition of Paintings,<\/strong> Definitely Superior Art Gallery, Thunder Bay<\/li>\n<\/ul>\n<h5>Selected Juried Competitions<\/h5>\n<ul>\n<li>2020 &#8211; <strong>Sheer Madness, <\/strong>Northville Art House, Northville Michigan, U.S.A.<\/li>\n<li>2019 &#8211;\u00a0<strong>Art Rich,\u00a0<\/strong> Richmond Art Gallery, Richmond B.C.<\/li>\n<li>\u00a02019 &#8211;\u00a0<strong>Displacement,\u00a0<\/strong>The Cultch Gallery (Culture Crawl) Vancouver, B.C.<\/li>\n<li>2003 &#8211; <strong>The Eye and the Hand, <\/strong>Etobicoke Civic Centre Gallery, Etobicoke, ON<\/li>\n<li>1997 &#8211; <strong>Edmonton 2000<\/strong>, Harcourt Gallery, Edmonton<\/li>\n<li>1996 &#8211; <strong>Art of Darkness,<\/strong> Art Gallery of Ontario, Toronto ON<\/li>\n<\/ul>\n<h5>Collaborative Exhibitions<\/h5>\n<ul>\n<li>2018 &#8211; <strong>Figures, Freaks and Spirited Beaks, <\/strong>with Jane Hennesy, Gibsons Public Art Gallery<\/li>\n<li>2016 &#8211; <strong>MO,\u00a0 <\/strong>with Jane Hennesy, Suzanne St. Pierre, Irene Thorne, Basic Inquiry Gallery, Vancouver<\/li>\n<li>2006 &#8211; <strong>Go Figure<\/strong>, with Margaret Braun and Linda Ould, Fringe Gallery, Edmonton<\/li>\n<li>2005 &#8211; <strong>The Unclean<\/strong>, collaboration with Poet Mingus Tourette, Fringe Gallery, Edmonton<\/li>\n<li>2001 &#8211; <strong>So You Wanna Be An Art Star?<\/strong> Collaborative performance written by Richard Smolinski and Linda Cairrerro, Nickel Museum Gallery, Calgary<\/li>\n<li>1995 &#8211; <strong>Essential Elements<\/strong>, Rick Tiihonen and Lorraine Cull, Atikokan, Ontario<\/li>\n<\/ul>\n<h5>Selected Group Exhibitions<\/h5>\n<ul>\n<li>2022 &#8211; <b>Visage: A Portrait-themed Exhibition, <\/b>curated by Logan Ford, Rockslide Gallery, Victoria<\/li>\n<li>2022- \u00a0<b>Extractions: Resources through an Artistic Lens, <\/b>curated by the Coquitlam Heritage Society, Place des Arts, Coquitlam<\/li>\n<li>2021- \u00a0<strong>Art for Life,\u00a0<\/strong>PoMo Art Gallery, Port Moody<\/li>\n<li>2020 &#8211; <strong>Jelena and the Magic Flute, <\/strong>curated by Dan Starling, CSA Space Gallery, Vancouver<\/li>\n<li>2014 &#8211; <strong>Liminality<\/strong>, Art Meets Fashion, Salt Lake City,\u00a0 Utah<\/li>\n<li>2012 &#8211; <strong>Drawn Festival, <\/strong>Basic Inquiry, Vancouver<\/li>\n<li>2011 &#8211; <strong>Salmon Inquiry, <\/strong>Gallery Gachet, Vancouver<\/li>\n<li>2011 &#8211; <strong>Refresh, <\/strong>Seymour Art Gallery, North Vancouver<\/li>\n<li>2010 &#8211; <strong>Imaging the Body<\/strong>, Body Worlds at Science World, Vancouver<\/li>\n<li>2010 &#8211; <strong>Culture Crawl, <\/strong>Basic Inquiry, Vancouver<\/li>\n<li>2009 &#8211; <strong>Where we Come From<\/strong>, On the Rise Gallery, Vancouver<\/li>\n<li>2006 &#8211; <strong>Likeness<\/strong>, Profiles Gallery, St. Albert, AB<\/li>\n<li>2005 &#8211; <strong>Metamorphosis<\/strong>, Fringe Gallery, Edmonton<\/li>\n<li>1996 &#8211; <strong>Towards an Understanding: Evaluating the Symbolic<\/strong>, invitational exhibition curated by Joan O&#8217;Doherty, Thunder Bay<\/li>\n<li>1995 &#8211; <strong>Ultima Thule<\/strong>, invitational exhibition curated by Catherine Kozyra and Joan O&#8217;Doherty, Definitely Superior Art Gallery, Thunder Bay<\/li>\n<li>1994 &#8211; <strong>Summer Survey<\/strong>, invitational exhibition curated by Janet Clark, Thunder Bay Art Gallery<\/li>\n<\/ul>\n<h5>Teaching, Awards and Achievements<\/h5>\n<ul>\n<li>2025- <strong>Workshop Instructor, life drawing at the Audain Museum,\u00a0<\/strong>Whistler B.C.<\/li>\n<li>2023-present-\u00a0<strong>Independent Art Instructor, oil painting, acrylic painting, figure painting, proposal and statement writing, creating a series of paintings,\u00a0<\/strong>North Vancouver<\/li>\n<li>2015-present-\u00a0<strong>private studio workshops, drawing, painting, mixed media, collage,\u00a0<\/strong>Horseshoe Bay, West Vancouver<\/li>\n<li>2010-present &#8211; <strong>Mixed media demonstrations<\/strong>, <strong>Richmond Artist Guild<\/strong>, Richmond<\/li>\n<li>2023-present &#8211;\u00a0<strong>Juror for Richmond Public Art Program,\u00a0<\/strong>Richmond<\/li>\n<li>2012-2023- <strong>Instructor: portrait drawing class, expressive portrait\/figure drawing classes and mixed media\u00a0figure drawing workshop, West Vancouver Community Centre and Music Box<\/strong>, West Vancouver<\/li>\n<li>2011 &#8211; 2023 <strong>Drawing and Art Theory Instructor:\u00a0 CG Masters School of 3D Animation and VFX<\/strong> New Westminster, B.C.<\/li>\n<li>2012-19 &#8211;\u00a0<strong> figure, portrait \u00a0drawing workshop and mixed media workshop<\/strong> at the<strong> Shadbolt Centre for the Arts,<\/strong> Burnaby<\/li>\n<li>2012- <strong>figure drawing workshop,<\/strong> <strong>Evergreen Cultural Centre<\/strong>, Coquitlam<\/li>\n<li>2009 &#8211; 2012\u00a0<strong>Art Instructor<\/strong>,<strong> New Westminster Board of Education Continuing Studies<\/strong><\/li>\n<li>2009 &#8211; <strong>Art Instructor<\/strong>, <strong>Langara College,<\/strong> Vancouver<\/li>\n<li>2006-08 &#8211; <strong>Art Instructor<\/strong>, <strong>University of Alberta, Nor Quest College, Harcourt House<\/strong> <strong>Art Gallery, City Arts Centre<\/strong><\/li>\n<li>1998 &#8211; <strong>Alberta Foundation for the Arts Graduate Scholarship Award<\/strong> U of A, Edmonton<\/li>\n<li>1998 &#8211; <strong>Mary Louise Imrie Graduate Student Award<\/strong>, U of A<\/li>\n<li>1996 &#8211; Article published in <strong>Remote Control Magazine for the Arts<\/strong>, <strong>&#8220;A Showing at the A.G.O&#8221;<\/strong><\/li>\n<li>1994-96 &#8211; <strong>Ontario Arts Council<\/strong>, Exhibition Assistance Grant<\/li>\n<li>1992 &#8211; <strong>Co-founder, Emergence\/See<\/strong> annual group exhibitions for emerging and professional artists, Thunder Bay<\/li>\n<li>1992 &#8211; <strong>Deans Awards<\/strong> for painting and drawing, <strong>Lakehead University Student Juried Exhibition<\/strong><\/li>\n<\/ul>\n<h5>Public Collections<\/h5>\n<ul>\n<li>2014 &#8211; <strong>District of West Vancouver, <\/strong>West Vancouver<\/li>\n<li>2007 &#8211; <strong>Alberta Foundation for the Arts<\/strong>, Edmonton Alberta<\/li>\n<li>2000 &#8211; <strong>University of Alberta<\/strong>, Edmonton<\/li>\n<\/ul>\n<h5><strong>Publications<\/strong><\/h5>\n<ul>\n<li>2018<strong> &#8211; Wotisart, Edition 21,\u00a0<\/strong>United Kingdom<\/li>\n<li>2018 &#8211;\u00a0<strong>Art Reveal Magazine, Edition 43,\u00a0<\/strong>Finland<\/li>\n<li>\u00a02018 &#8211;\u00a0<strong>Artist Talk Magazine, Edition 6,\u00a0<\/strong>United Kingdom<\/li>\n<\/ul>\n<h5>Critical Reviews<\/h5>\n<ul>\n<li>2005 &#8211; <strong>&#8220;The Unclean &#8211; At the Fringe Gallery&#8221;<\/strong>, by Cookie Everman, Fifty3 &#8220;Underground 53&#8221;, Vol. 6 &#8211; Issue 3<\/li>\n<li>1997 &#8211; <strong>&#8220;An Analysis of the Body of Evidence&#8221;<\/strong>, by Catherine Kozyra, Remote Control Magazine, Vol. 6 &#8211; number 2<\/li>\n<li>1997 &#8211; <strong>&#8220;A World of Form and Shadow&#8221;<\/strong>, by Mavourneen Trainor, Remote Control Magazine, Vol. 3 &#8211; number 1<\/li>\n<\/ul>\n<h5>News Article Reviews<\/h5>\n<ul>\n<li>2008 &#8211; <strong>Shelley Rothenburger, &#8220;The Melting Point of Ice&#8221; and &#8220;Eat Mine Raw&#8221;<\/strong>, by Amy Fung, Prairie Artsters<\/li>\n<li>2008 &#8211; <strong>&#8220;Of Mullets and Stickmen: Eat Mine Raw and Love is Simple&#8221;<\/strong>, by Mary Christa O&#8217;Keefe, Vue Weekly<\/li>\n<li>2006 &#8211; <strong>&#8220;Redrawing the Human Form&#8221;<\/strong>, by Amy Fung, See Magazine<\/li>\n<li>2006 &#8211; <strong>&#8220;One Perfect Shot, The Works Festival&#8221;<\/strong>, by Pamela Anthony, Edmonton Journal<\/li>\n<li>2005 &#8211; <strong>&#8220;Shelley Rothenburger&#8217;s Unclean Art&#8221;<\/strong>, by Agnieszka Matejko, Vue Weekly<\/li>\n<li>2005 &#8211; <strong>&#8220;The Unclean &#8211; The Sensitive Side of Mingus&#8221;<\/strong>, by Brian Gauriloff, Edmonton Journal<\/li>\n<li>2004 &#8211; <strong>&#8220;High Art Anxiety at Harcourt House&#8221;<\/strong>, by Gilbert Bouchard, Edmonton Journal<\/li>\n<li>2004 &#8211; <strong>&#8220;The Men Commandments&#8221;<\/strong>, by Agnieszda Matejko, Vue Weekly<\/li>\n<li>2000 &#8211; <strong>&#8220;Nickel Museum Shines&#8221;<\/strong>, by Wes Lafortune, Straight Magazine<\/li>\n<li>1999 &#8211; <strong>&#8220;Rothenburger evokes Ghost of Bacon with Fierce Style&#8221;<\/strong>, by Carol Berger, See Magazine<\/li>\n<li>1998 &#8211; <strong>&#8220;Three for the Road&#8221;<\/strong>, by Dave Lammers, The Chronicle Journal<\/li>\n<li>1999 &#8211; <strong>&#8220;Putting Life and Death in Focus&#8221;<\/strong>, by Peter Fergus-Moore, The Chronicle-Journal<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Education 2000 &#8211; M.F.A. University of Alberta, Edmonton, AB 1995 &#8211; H.B.F.A.Lakehead University, Thunder Bay, ON Selected Solo Exhibitions 2020 &#8211;\u00a0Locked and on a Loop,\u00a0Charles Clark Gallery, Vancouver 2016 &#8211; Rigged, Basic Inquiry, Vancouver 2015 &#8211; UnBeatable, Basic Inquiry, Vancouver 2013 &#8211; Scouting the Divine, Artemis Gallery, North Vancouver 2013 &#8211; The Common Man, Gabor &hellip; <a href=\"https:\/\/mbradica.com\/shelley\/cv\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Curriculum vitae<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":75,"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":3695,"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/pages\/14\/revisions\/3695"}],"wp:attachment":[{"href":"https:\/\/mbradica.com\/shelley\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}